Movies: Heinz Emigholz

A German Platoon is explored through the brutal fighting of the Battle of Stalingrad. After half of their number is wiped out and they're placed under the command of a sadistic captain, the platoon lieutenant leads his men to desert. The platoon memb...

Home movies shot on Super 8mm by W+B Hein over 10 years....

In the beginning of the 19th century, Johannes Elias Alder is born in a small village in the Austrian mountains. While growing up he is considered strange by the other villagers and discovers his love of music, especially rebuilding and playing the o...

A German woman travels to San Francisco to find her mother, but winds up distracted by the sexually flamboyant culture of the city....

A film director confides in his interlocutor. He talks about the working process, about creative blocks, about artistic crises and expressive forces. At some point, the idea takes hold that this conversation could be turned into a film. And this is t...

Four four-minute image sections and four four-minute sound sections are linked in all combinations of the sound sections with each of the image sections. This established affinities between each of the image sections to the others, and the sound sect...

Worn-down pavements, broken paving stones. Trees that jut out of the concrete, casting shadows on to crumbling façades. The centre of Tbilisi in the summer of 2013. Glimpses of side and main streets, over railings and under balconies, of an architect...

In the 21st part of his Photography and beyond series, Heinz Emigholz projects as usual a series of structures into our brains and from there on to the screen: Airports, motorways and bus stops; department stores, market halls and warehouses....

Max Taurus, a sort of amateur detective, pursues the traces of general omni-present crime back to a partially demolished house. There, the remaining tenants try to gain pleasure and power from progressive abandonment in order to tear down their own c...

An archaeologist and a weapons designer, who knew each other in a previous life as a filmmaker and a psychoanalyst, meet at an excavation site in the Negev desert and begin a conversation about love and war, which they continue in the Israeli city of...

Emigholz disrupts the linear narrative via editing, and then reconnects the shots based on recognizable patterns. In doing so, he brings new meaning to the images....

That loquacious cynic known as “Old White Male,” played by John Erdman in Heinz Emigholz’s 2020 film The Lobby, returns in this delirious, sci-fi-comic follow-up that covers an even wider spectrum of human absurdity and wrestles with the biggest ques...

“There is no Here here.” A character simply named Old White Male (John Erdman) holds court in the lobbies of various apartment buildings in Buenos Aires and expounds with measured disgust on death, consciousness, and the state of contemporary human r...

This film is in effect a slideshow of exquisite single photographic images in sparkling black and white, representing Mikesch’s own version of Mary Stuart. “The drama of a woman who attempted a kind of liberal emancipation in a time of upheaval, but ...

The first part shows the progression from high tide to low tide in 15 minutes. The second, equally long part follows the changes from high tide to low tide. The artist's special work consisted of defining a complex recording plan (score) that had to ...

An experimental German film...

The ‘Casa do Povo’ cultural centre in São Paulo, an icon of the secular Jewish workers’ movement: a crumbling theatre flanked by staircases, entryways and corridors. Construction noise drones away in the background, clinking crockery, a broom sweepin...

Clonetown 1974 to 1979: a terrorist defector named Charon sits on the edge of oblivion and commentates on the imminent putrification of an abducted car dealer....

Famed Swiss architect and artist Robert Maillart was renowned for his concrete bridges; this documentary examines the elegant design of his engineering masterpieces, which, the film argues, embrace both functionality and aesthetics. Instead of follow...

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